Theoretical-practical laboratory. A working session that will move through the experimentation of concepts, techniques, and exercises to accompany and refine perception, to understand the relationships between physical sensations and the languages we use, between the body, its materiality, and the processes that mediate in the consciousness we have of it.
What kind of materiality does movement possess in itself —its degrees of trembling or textures— and how do we operationalize its sensitivity (kinesthesia)? How do we appropriate it in order to practice and think with movement? And from here, what objects/figures/methods do we employ to approach movement, to know it and articulate it? What realities of knowledge, of the social or the cultural, can be made more complex through the dispositions of movement?
Practical information: