alina sokulska
ttps://alinasokulska.com
@alina_sokulska
Photography ©Juan Carlos Gómez Villamor
ttps://alinasokulska.com
@alina_sokulska
Photography ©Juan Carlos Gómez Villamor
Residency project
In J. L. Borges’ short story, The Book of Sand, we find a mysterious book, that, like the sand, neither has a beginning, nor an end. pages literally multiply between the pages, and once you open the book you never encounter the same content in it. the book of sand is conceived as a macromodular performance project that sets body as its central medium in a spontaneous composition dialogue with visual art, choreography and music. proposing a reading of the Borgesian concept of the infinite knowledge, the project reflects upon what, how, when, and until where is it, “to understand”? trying to figure out a formula to approach the liminal / erased identity, the pieces of the project conjure up a corporeality that is set as a divination capsule thought at the same time as a place, a space, and an articulator of all possible narratives unfolding out of it.
concept, direction & choreography: alina sokulska / digital painting: THE BEAUTIFUL FORMULA COLLECTIVE / choreographic assistance: Víctor Aicua / style & costumes: @socoolska, Tabi footwear / music: Steve Coleman / accompaniment: Constanza Brncic, Roberto Fratini / support: AIR Munich programe, the Department of Culture of the City of Munich, Institut del Teatre Diputació de Barcelona, Nunart Guinardó, Graner Fábrica de Creació, O Espaço do Tempo.
Residency Archive Graner