Lautaro Reyes

I am a performance artist working with movement and choreography. My interests develop from intuitions that I mentally project as landscapes, and within those spaces I generate dialogues through a sensory understanding. I explore the possible languages of the body so they can be expressed with qualities not shaped by academic frameworks. I conceive movement as a mechanism that provokes subjective images both in those who create choreography and those who observe it, and through that shared imaginary I propose a form of common understanding.


I have trained in various Ibero-American schools, including the International Chair of the National Ballet of Cuba in Havana, the Julio Bocca Studio in Buenos Aires, and IT Dansa at the Institut del Teatre in Barcelona. I have worked with emerging choreographers such as Guido Sarli, Manuel Rodríguez, and Giorgia Nardin, as well as with companies like Cobosmika Co and La Veronal, performing across America, Europe, and Asia. In 2021, I co-starred in El libro de Sicilia, a theatre production by the Centro Dramático Nacional directed by Pablo Fidalgo. I have collaborated as a choreography and movement assistant for works by Elsa Mingot and Malen Iturri. Between 2022 and 2023, I took part in the exhibition project Utopía Rambles at the Santa Mònica art center.

https://camaralucida.org
@_camaralucida_
@lautaro.reis

Photo ©Mila Ercoli

Last project in residence

Creciente marea mirada menguante (Rising tide, waning gaze) emerges as a continuation of the work I developed in my previous piece Waves (premiered in February 2025 at Mercat de les Flors), a material that revealed to me how bodily work combined with sound work generates qualities that lead the viewer’s gaze toward landscapes that are not present, and that as I progressed with this practice, the potential to shift the imagination became increasingly powerful. This led me to question how to establish a dialogue with the audience by provoking a change in the tone of their gaze.

How can I create a choreographic device and a movement language that, through its sophistication and hyperactivity, becomes a way to soften the gaze and the state of the observer?

The physical tasks I would like to deepen are experiments or strategies that emulate the construction of tides. The research focuses on thinking of the body as a constant source of turbulent flow, with vectors that guide movement on different scales, thus exploring new choreographic possibilities. Just as when we are in front of the sea and its continuous motion offers a temporal pause, I want to develop exercises that shift the gaze and blur the identity of the body into another state.

Residency archive Graner

  • 2025 · Crossed residency with Espacio Checoeslovaquia (Chile) · Creciente marea mirada menguante (with the support of the Institut Ramon Llull as part of its international residency support program).
  • 2025 · Graner Associated Artist · Waves (immersive version) / Creciente marea mirada menguante
  • 2024 · Graner Associate Artist · Waves
  • 2024 · crossed residency with La Briqueterie CDCN Val-de-Marne (Paris) · Waves (with the support of the Institut Ramon Llull as part of its international residency support program).
  • 2020 · Collaboration with Festival Sâlmon · Ceremony
  • 2014 · Collaboration with Festival Per Amor a l’Hart · The Cathartic Exercise of Well-being II