Graner’s discoursive program directly links artistic research with theoretical and academic research, aiming to reflect on the poetics of dance, live arts, and contemporary choreographic languages. The inception of stage proposals is often infused with questions and intuitions, a conceptual exploration from which new ideas and languages emerge to construct a new form. To make the journey from conceptual depths to the surface, from research to exhibition, a moment of decompression is needed—a space for alignment between conceptualization and praxis.
Diving is born from the desire to create, in a public format, this decompression space, promoting dialogue between dance and live arts artists and other artists or thinkers who serve as theoretical references in their practice. Through the meeting of these sensibilities, we aim to facilitate exchanges between creators, humanists, and academics, helping make theoretical research a shared, living process.