Choreographer Marina Fueyo created Toys in the Attic (T.I.T.A.) in 2020, a piece presented as her final project in college. It was meant to be the first part of a trilogy, Dear Cassandra, united by a shared vision of life as a hermetic and agonizing space. In that initial choreography, the author placed the protagonists in a space where life was simulated, simplified, and schematized, subjecting them to the incomprehension, expectation, and loneliness that humans are victims of. In the piece with which she has won this year’s award, the second of the trilogy, the choreographer goes back to the moments before the creation of this simplified existence portrayed in Toys in the Attic, and in The Weak Side, she speaks to us about everything that precedes the acquisition of one’s own consciousness: creation, uncertainty, and separation from what is our own. Among the themes that Marina Fueyo addresses through the language of dance is motherhood, understood as the relationship with a being to whom life has been given, a bond so strong that it can transcend the agony of life, the end of this existence, whose fragility gives title to the show.
Wednesday, June 28, 2023, at 6:00 PM
Free admission
Activity in dialogue with Recomana.cat and the Grec Festival
