Natalia Fernandes

Natalia Fernandes is a choreographer, dancer, and creator of the methodology Invented Anatomy. Brazilian by birth and based in Spain since 2017, she has been living in Catalonia since 2023. Previously, she lived and worked in Germany, the United States, Morocco, and Jordan. Her stage and methodological research begins with the body, understood not only as matter but as a fictional construction shaped by narratives that operate as technologies for imagining, producing, and reading it.

Her training took place entirely in Brazil, although it was always permeated by European discourses and references. This friction between the choreographic imaginary of the old continent and the bodily experience of her homeland — feet on the asphalt of downtown São Paulo — positions tropicalist ideals and the anthropophagy of discourses as central axes of her creative thinking. The interplay between body, imagination, and word sustains a practice articulated from a critical and postcolonial position in relation to hegemonic choreographic discourses and to the very idea of the dancer. Fiction appears here as a tool to activate imaginative possibilities and to overflow the limits of what the body can be, say, and narrate.

With the desire to translate this superposition of discourses, her work is grounded in a hybrid stage language in which the body is revealed as a space of friction, invention, and poetic and political transformation. Her work has been presented in various festivals and contexts such as Mercat de les Flors, Conde Duque, Festival TNT, Dansa València, AWA – Bern, Dance South – Taiwan, CIGUT – Egypt, among others.

@_.nataliafernandes

Protrait ©Fernando Vilchez

Latest project in residence

Invented Anatomy – the Body as Fiction (2026) proposes a creation that moves between performance, writing, and methodological research, taking shape through different languages that dialogue with and complement one another. The guiding thread that runs through the project is the body as fiction: not understood as a mere escape from reality, but as a powerful tool to explore the world, the human condition, and the multiple possibilities of imagination.

The research focuses on understanding the body as an active agent in the creation of fictions — anatomical, social, political, scientific, and performative — understood as discourses that produce realities, as “things that do things.” From this perspective, the fictions we invent for a dancing body also generate the dance itself: the body becomes simultaneously agent and result, producer and product, inventing and being invented at the same time.

Photos © Mario Zamora

Residency archive Graner

  • 2026 · Open call · Invented Anatomy – the Body as Fiction
  • 2025 · Cross-residency with CAMPUS PCS Porto · Objeto Não Identificado (with the support of the Institut Ramon Llull as part of its international residency support program).
  • 2024 · Public call for proposals, practical methodologies category · Invented Anatomy or How to Have a Dancer’s Body