Salar la pena is a scenic project that seeks to hybridize poetry and circus, taking the body in crisis as its central axis. Through movement, technical form, and voice, a body—my lyrical self—attempts to construct a liturgy of cleansing or emptying, exploring failure, loss, desire, and everything that connects the divine with the monstrous.
No se trata de hacerse daño, se trata de lavarse, bajar al río, seguir el orden.
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la pena
como la carne
primero se sala luego se limpia luego se guarda
la pena no se va
la pena se guarda
Team: External advice and dramaturgical assistance: Elena Zanzu and Sara Gilsanz / Sound design: Marc Naya / Costume design: Miguel Peñaranda / Textile design: Sara Gellez / Set design: Víctor Peralta / Lighting design and technical coordination: Horne Horneman / Production and distribution: Las Amigas / Supported by: La Central del Circ, Café de las Artes Teatro, Espai Inestable, Centre d’Arts en Moviment de Roca Umbert, El Invernadero, PdCirco, and the Community of Madrid / Finalist project for Circus Next 2025 / With the grants: Ayuda Injuve for Young Creation 2024, Support grant for production from the Second Plan for the Promotion of Circus in Catalonia (from the APCC and the Generalitat de Catalunya).