Ça marche

HAPPY END (2026) is a performance piece with young Deaf people that delves into adolescence as a threshold territory: a moment of transition in which celebration and loss coexist, in which identity is being built while mourning the worlds that are disappearing. A time when what once held the world together no longer works, and what is to come has not yet taken shape. It is not merely a passage, but an experience of misalignment, of an interrupted sense of time, almost a small, intimate apocalypse.

The piece is structured as a chain of stories that do not seek to close, but to remain in motion. As in One Thousand and One Nights, each story opens another, not to arrive at an answer, but to sustain the continuity of the tale. In a world that is dissolving or transforming, these teenagers do not so much explain a world as set it in circulation, keep it active, begin it again. From this logic, HAPPY END poses a question that runs through the whole project: what happens when the future is no longer a clear promise? And what remains after this rupture? Perhaps not an answer, but remnants: minimal forms, gestures, fragments of relationship that allow things to go on.

• 2026 · Collaboration with Nau Ivanow · HAPPY END
• 2022 · Collaboration with Grec Festival · Cantus gestualis
• 2021 · Collaboration with Boombeta· Lo viejo y lo nuevo